To make a journey through the centuries, from every point of view, is always and undoubtedly more than merely a fascinating experience. The sacred texts, the written word and oral tradition - combined with the art of combining sounds - is definitely a privileged way of trying to understand and comprehend more about any phenomenon, whether it is by nature social, religious or cultural.
First Performance: June 27th 2005, Martha Argerich Festival, Lugano, Switzerland
Commissioned by the Martha Argerich Project
Martha Argerich, piano
Akana Sakai, piano
Alexander Gurning, piano
Gabriela Montero, piano
Dora Schwarzberg, violin
Nora Romanoff, Schwarzberg, viola
Jorge A. Bosso, cello
Frederick Tinsley, double bass
Francesco D'Auria, drums
Faye Nepon, voice
Igor Polesitsky, violin
Riccardo Crocilla, clarinet
Francesco Furlanich, accordion
Riccardo Donati, double bass
Faye Nepon, singer
Diego Fasolis, conductor
Duration:100’
Prologue |
|
Nachòn libbì Elohìm |
Jorge A. Bosso |
Gewollt! |
Jorge A. Bosso |
Parte Prima |
|
Après Yigdal |
Jorge A. Bosso |
Salmo 23 – גכ קרפ |
Jorge A. Bosso |
Eli, Eli |
H. Shenesh/D. Zehavi |
Dobridyen/ Dobranotsh |
traditional |
Melodia di Esther |
Jorge A. Bosso |
Salmo 42 - במ קרפ |
Jorge A. Bosso |
Freylachs |
traditional |
Parte Seconda |
|
Nigun |
Ernest Bloch |
Après Vaychullu |
Jorge A. Bosso |
Allegretto from the Trio op. 67 |
Dmitrij Schostakowistch |
Salmo 150 - נק קרפ |
Jorge A. Bosso |
Parte Terza |
|
A Song for a Jewish Psyche |
Jorge A. Bosso |
O, Tate |
traditional |
Soup Chicken Blues |
Jorge A. Bosso |
Après Dancing with the Moon… |
Jorge A. Bosso |
Epilogo |
|
Tum Balalayke |
traditional |
With deep gratitude to Moise Levy and Elad Navon for their invaluable help